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David Strathairn

Nightmare Alley

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Nightmare Alley

With Nightmare Alley, virtuoso director Guillermo del Toro has added neo-noir, alongside gothic horror, fantasy, and science fiction, to the growing list of genres he’s proven mastery over. His fidelity to the gritty, nihilistic films noir, made popular after WWII and featuring broken protagonists who play fast and loose with society’s mores – and often get brutally punished for it – almost doesn’t need the “neo” qualifier. Nightmare Alley is the closest rendering of an actual film noir made in the 21st century thus far. At the same time, Del Toro puts his distinctive stamp on the film, blending in flourishes of straight horror and devastating morality tale.

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Nomadland

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Nomadland

Director Chloé Zhao’s inspired blurring of truth and fiction in her newest film Nomadland reveals an emotional truth about the American spirit that is more profound than even the most probing documentary could capture. Her movie, in its own quiet way, celebrates the beauty and grandeur of American western landscapes and the human desire to drink them in, much like Sean Penn’s Into the Wild. It also documents, like a modern-day Grapes of Wrath, the crushing poverty that forced these beauty-seekers on the road in the first place. It’s the blending of these two aesthetics that make Nomadland such a delicate treasure.

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