A depressed writer, a group of angry librarians, nuclear waste, and a pioneering comedian all played a part in my cinematic adventures at DIFF 2025, along with a few detours to connect with friends and loved ones, as well as to join in solidarity, for a few hours at least, to others like me who are desperate to stem the tide of the spreading fascism in our country.
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DIFF 2025
On my way to Cinépolis for my first screening of DIFF 2025, I heard a ping from my phone. As I drove, my car’s robot voice delivered the incoming message from a North Texas Film Critics Association colleague. He was letting the NTFCA Discord channel know that he saw one of the DIFF opening films, called Omaha, at Sundance, and that it was his favorite film of that fest. I was, in fact, on my way to see that very movie.
My film festival coverage for 2025 is in full swing with the upcoming Dallas International Film Festival (DIFF). This is an exciting year for DIFF for one particular reason. For the first time in its nineteen-year history, DIFF is now an Oscar-qualifying festival following an announcement last October from the Academy of Motion Picture Arts and Sciences (AMPAS). The Dallas International Film Festival is now one of 181 festivals worldwide – 59 in the US – that has been approved by the AMPAS as a qualifying festival. According to the DIFF 2025 website, “[F]ilms that win qualified awards between October 1, 2024, and September 30, 2025, may be qualified to enter the 98th Academy Awards®, provided that the films meet all the requirements set forth in the official rules for that season.”