Provocateur director Gaspar Noé has put a waking nightmare on screen with his newest movie Climax. The film is unsettling, nauseating, confusing, and, in the end, a singular viewing experience that only Noé could unleash upon the world. The director responsible for the equally singular Enter the Void – which I revisited as the second part of a double feature with Climax, a night I won’t soon forget – uses nihilism the way Bob Ross used happy little trees, often and with great satisfaction. There is no lesson to be learned here. Climax isn’t exploring any deeper truths about the human condition. Noé’s only goal seems to be to shock and disorient his audience. In that way, Climax is a complete success.
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